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Instead, the world has moved on without him. At the start of the show, Danny arrives unshaven, and in tattered clothes, hoping for the clichéd homecoming where everyone welcomes him with open arms. But Danny is no mere commoner his father was the co-founder of Rand Enterprises, a multi-billion-dollar company that dabbles in everything from pharmaceutical drugs to agriculture machinery.
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For reasons untold, he left K’un-Lun, and came back to New York. It appears only once every fifteen years in the Himalayas, which is incidentally where the Rand family was travelling at the time.Īfter losing his parents, Danny trained in martial arts, and emerged as one in a long line of Immortal Iron Fists. Instead, Danny turned out to be the lone survivor, and was taken in by Buddhist monks of K’un-Lun, which we’re told is one of seven Capital Cities of Heaven, and exists in another dimension. What’s much worse, though, is that Iron Fist fails to even resemble an entertaining show.Īt the heart of the new Netflix drama is Danny Rand, a martial arts master who returns to his home in New York City, fifteen years after being presumed dead in a plane crash with his parents. Sadly though, after having seen the first half of Iron Fist’s season one, it’s clear to us that the twin powers of Marvel and Netflix have failed in delivering a cohesive answer to that, be it in representation or culture appropriation.
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Jones himself echoed that in an interview with Buzzfeed, and added: “What you’ll find with the way that we’re telling this story is we’re addressing the issues that people are very concerned about in a very intelligent and modern way.” “He’s trying to save himself, if anything,” Buck said. In contrast, the announcement of Iron Fist was met with scepticism and hostility from the community, which was further baffled when Finn Jones ( Game of Thrones’ Loras Tyrell) was cast in the titular role.Īs defence, showrunner Scott Buck (Six Feet Under, Dexter) assured us that Danny Rand (Jones) was no white saviour in his vision of the show. Both signalled a step towards greater diversity from Netflix. In the comics, Jessica Jones had never been part of The Defenders, and on Luke Cage, the cast and crew were largely African-American.
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(Then again, Doctor Strange did it last year, and people didn't seem to mind too much once the movie came out.) The character had his origins in the 1970s, when such a portrayal barely raised any eyebrows from anyone, and the US was still at war with Asian nations, but in 2017, it feels badly out of place.Īdd to that Marvel’s own efforts on other shows.
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The problems with adapting Iron Fist – a Marvel comic series that follows a white man learning from Asian culture, and becoming the best among them – for screen were quite evident from the beginning.